Digital Audio Montage

Lorenz Schwarz
Karlsruhe University of Arts and Design (HfG)
Winter Semester 2025/26

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Digital Audio Montage Bibliography

Literature

  • Ballou, Glen M., ed. Handbook for Sound Engineers. 4th ed., Focal Press, 2008.

  • Blauert, Jens. Spatial Hearing: The Psychophysics of Human Sound Localization. Revised ed., MIT Press, 1996.

  • Brixen, Eddy Bøgh. Audio Metering: Measurements, Standards and Practice. 3rd ed., Focal Press, 2020.

  • Case, Alex. Sound FX: Unlocking the Creative Potential of Recording Studio Effects. Focal Press, 2007.

  • Chion, Michel. Audio-Vision: Ton und Bild im Kino. Edited by Jörg U. Lensing, translated by Alexandra Fuchs and Jörg U. Lensing, Schiele & Schön, 2012.

Digital Audio Montage Bibliography
  • Constantinou, Stace. “Working with Sound in the DAW: Towards a New Materiality of the Audio Production Interface.” Producing Music, edited by Russ Hepworth-Sawyer, Jay Hodgson, and Mark Marrington, Routledge, 2019, pp. 229–245.

  • Dickreiter, Michael, Volker Dittel, Wolfgang Hoeg, and Martin Wöhr, eds. Handbuch der Tonstudiotechnik. 9th updated and expanded ed., 2 vols., De Gruyter Saur, 2023.

  • Dutilleux, Pierre, Martin Holters, Sascha Disch, and Udo Zölzer. “Modulators and Demodulators.” DAFX: Digital Audio Effects, edited by Udo Zölzer, 2nd ed., Wiley, 2011, pp. 83–99.

  • Farina, Angelo. “Simultaneous Measurement of Impulse Response and Distortion with a Swept-Sine Technique.” Proceedings of the 108th AES Convention, Paris, 2000, Convention Paper 5093.

  • Fletcher, Harvey, and Wilden A. Munson. “Loudness, Its Definition, Measurement and Calculation.” Journal of the Acoustical Society of America, vol. 5, no. 2, 1933, pp. 82–108.

Digital Audio Montage Bibliography
  • Flückiger, Barbara. Sound Design: Die virtuelle Klangwelt des Films. Schüren, 2017.

  • Giannoulis, Dimitrios, Michael Massberg, and Joshua D. Reiss. “Digital Dynamic Range Compressor Design—A Tutorial and Analysis.” Journal of the Audio Engineering Society, vol. 60, no. 6, 2012, pp. 399–408.

  • Godøy, Rolf Inge. “Spectromorphology and Embodied Musical Experience.” Frontiers in Psychology, vol. 12, 2021, article 672949.

  • Godsill, Simon J., and Peter J. W. Rayner. Digital Audio Restoration: A Statistical Model-Based Approach. Springer, 1998.

  • Görne, Thomas. Mikrofone in Theorie und Praxis. 8th revised and expanded ed., Elektor, 2007.

  • Görne, Thomas. Sounddesign: Klang, Wahrnehmung, Emotion. Hanser, 2017.

  • Görne, Thomas. Tontechnik. Hanser, 2006.

Digital Audio Montage Bibliography
  • Izhaki, Roey. Mixing Audio: Concepts, Practices, and Tools. 3rd ed., Routledge, 2018.

  • Katz, Bob. Mastering Audio: The Art and the Science. 3rd ed., Focal Press, 2015.

  • Lensing, Jörg U. Sound-Design, Sound-Montage, Soundtrack-Komposition. 3rd ed., Schiele & Schön, 2013.

  • Roads, Curtis. The Computer Music Tutorial. 2nd ed., MIT Press, 2023.

  • Roads, Curtis. Microsound. MIT Press, 2001.

  • Rumsey, Francis, with Tim McCormick. Sound and Recording: Applications and Theory. 8th ed., Routledge, 2021.

  • Schaeffer, Pierre. Musique concrète: Von den Pariser Anfängen um 1948 bis zur elektroakustischen Musik heute. Revised by Michel Chion, translated by Josef Häusler, 2nd ed., Klett, 1974.

Digital Audio Montage Bibliography
  • Schaeffer, Pierre. Traité des objets musicaux: Essai interdisciplines. Éditions du Seuil, 1966.

  • Sharma, Gerriet K., Matthias Frank, and Franz Zotter. “Towards Understanding and Verbalizing Spatial Sound Phenomena in Electronic Music.” Proceedings of inSONIC2015: Aesthetics of Spatial Audio in Sound, Music and Sound Art, Karlsruhe, 27–28 Nov. 2015.

  • Smalley, Denis. “Spectromorphology: Explaining Sound-Shapes.” Organised Sound, vol. 2, no. 2, 1997, pp. 107–126.

  • Smith, Julius O. Introduction to Digital Filters with Audio Applications. W3K Publishing, 2007. Online edition.

  • Smith, Julius O. Physical Audio Signal Processing: For Virtual Musical Instruments and Audio Effects. W3K Publishing, 2010. Online edition.

  • Smith, Julius O. Spectral Audio Signal Processing. W3K Publishing, 2011. Online edition.

Digital Audio Montage Bibliography
  • Thoresen, Lasse, and Andreas Hedman. “Spectromorphological Analysis of Sound Objects: An Adaptation of Pierre Schaeffer’s Typomorphology.” Organised Sound, vol. 12, no. 2, 2007, pp. 129–141.

  • Välimäki, Vesa, Julian D. Parker, Lauri Savioja, Julius O. Smith, and Jonathan S. Abel. “Fifty Years of Artificial Reverberation.” IEEE Transactions on Audio, Speech, and Language Processing, vol. 20, no. 5, 2012, pp. 1421–1448.

  • Välimäki, Vesa, and Joshua D. Reiss. “All About Audio Equalization: Solutions and Frontiers.” Applied Sciences, vol. 6, no. 5, 2016, article 129.

  • Vaseghi, Saeed V. Advanced Digital Signal Processing and Noise Reduction. 4th ed., Wiley, 2008.

  • Viers, Ric. The Location Sound Bible: How to Record Professional Dialogue for Film and TV. Michael Wiese Productions, 2012.

Digital Audio Montage Bibliography
  • Walzer, Daniel. “Blurred Lines: Practical and Theoretical Implications of a DAW-Based Pedagogy.” Journal of Music, Technology & Education, vol. 13, no. 1, 2020, pp. 79–94.

  • Weinzierl, Stefan, ed. Handbuch der Audiotechnik. Springer, 2008.

  • Wuttke, Jörg. Mikrofonaufsätze. 2nd ed., Schalltechnik Dr.-Ing. Schoeps, 2000.

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